Who Is Robert Slinn?
I’m Robert Slinn, a Regina-based builder, location manager, drone operator, photographer, VFX and game-dev problem solver, and union stagehand who never fit into a one-lane bio.
Over the last decade that has meant scenic carpentry, practical handyman work, Transport Canada certified UAV operations, weddings and boudoir sessions, Unreal Engine environments, virtual production support, livestreaming, van-life documentation, and location work across Saskatchewan productions.
Sinfull Studios exists because all of those lanes talk to each other. The set experience sharpens the trades. The trades sharpen the camera eye. The drone work informs property coverage and production planning. The digital work benefits from real-world texture, field discipline, and actual miles on the road.
Base: Regina, Saskatchewan. Range: wherever the work makes sense.
The Seven Sins Framework
The sins are the editorial backbone of Sinfull Studios. They explain the content pillars and the way the brand is organized on the live site. Not every page in the navigation maps one-to-one, but this is the real structure behind the work.
PRIDE – Build & Trades
Handyman systems, finishing work, repairs, decks, fences, painting, and the kind of standards that make small jobs look properly finished instead of merely done.
LUST – Desires
Confidence-first boutique writing, private shopping guidance, lingerie, romantic gifting, and the side of the brand built around intimacy without cheap chaos.
SLOTH – Gaming & Streaming
Project Zomboid, Minecraft, stream systems, creator workflow, and the long-game discipline behind making online output sustainable.
GLUTTONY – Photo & Video
Weddings, portraits, boudoir, food imagery, and the appetite-driven visual side of the studio where texture, mood, and presentation actually matter.
GREED – VFX, Game Dev & Atlas
Unreal Engine, environments, scans, virtual production, worldbuilding, and the longer digital systems that reward obsessive iteration.
ENVY – Van Life
The itch to move, leave, route-plan, and document the road honestly. Prairie van life here is practical, not filtered into fantasy.
WRATH – Behind the Studio
Field discipline, outdoor standards, production readiness, and the harder-edged behind-the-scenes writing that keeps the rest of the brand honest.
Drone and aerial imaging sits beside the sins as a direct operating lane: inspections, real-estate aerials, and photogrammetry work that crosses over the trades, property, and production sides of the business. If that is what brought you here, start with Drone & Aerial Imaging.
Other working surfaces like Portfolio, Film & Stage Credits, and Contact pull from more than one pillar at a time.
Film, Stage & Union Work
There is a real production backbone behind the brand. Location management, scenic carpentry, and union stage work are not side notes here. They are part of why the studio operates the way it does.
- Beyond the Veil (2025) – Locations Manager
- The Housekeeper (2025) – Assistant Location Manager
- A Life Less Empty (2025) – Location Manager
- #VanLife (2025) – Location Manager / Scenic Carpenter
- Hostile Takeover (2025) – Assistant Location Manager / Scenic Carpenter
- The Scariest Movie Ever Made (2025) – Location Manager
- Die Alone (2024) – Assistant Location Manager / Carpenter
- ZARQA (2023) – Assistant Location Manager, 6 episodes
- Disney Frozen – Globe Theatre (2025) – Carpenter
- Disney On Ice (2024-25) – Stage Hand
Full credits: IMDb nm14257924 | Film & Stage Credits →
Work With Me
If you already know the lane, jump straight to the service page, drone page, credits page, or contact form. If you do not, start the conversation anyway and we will point it in the right direction.